Tech Rider
Download PDF (opens in a new tab)Stage setup
Placement
In the stage-plot view, the bass amp is at rear left, drums are centered at the rear, the keys amp is at rear right, and the guitar amp is left of center. Thomas’s vocal/trumpet mic is at front left; the backing vocal/sax mic is at front right.
Monitors
Four monitors are preferred, though three can work. If only three are available, give priority to keys; bass and drums can share. Most of the time, only vocals need to run through the monitors.
Advance notes
All amps have XLR outputs on the back. The wireless rack can sit on top of the keys amp or at the front of the stage. Drum microphones are available by request with advance notice.
Soundcheck priority
Thomas uses the same microphone for trumpet and lead vocal, so their balance is the highest soundcheck priority. The band prefers its wireless microphones but can use house microphones. Please say if the stage volume is too loud for the best mix.
Input list
| Channel | Input | Signal location | Notes |
|---|---|---|---|
| 1 | Shure BLX SM58A — vocal / trumpet | Wireless rack on keys or at front of stage | Gain button supports trumpet/vocal balancing at soundcheck. Thomas switches from guitar for trumpet. |
| 2 | Shure BLX SMB8 — vocal / saxophone | Wireless rack on keys or at front of stage | Backup vocals; saxophone only for sax tunes. |
| 3 | Guitar | XLR from back of amp | Fender Tone Master FR-12 cab. Acoustic overdrive patch can be checked and removed if needed. |
| 4 | Keys | XLR from back of amp | Fender Tone Master FR-12 cab. |
| 5 | Bass | XLR from back of amp | Fender Rumble 40. |



